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Of Islands and Identities

TeampullSunburst
Here’s a question, prompted by witnessing yet more Facebook fractiousness – never in short supply when threads weave around “independence”, or “nationalism” (whether in the context of Scotland’s relationship with the rest of the UK, or the UK’s with the rest of Europe). Does the giddy whirlpool of identity politics ever stop swirling through the social media? I can do without it.

One of the things that made me a willing island-dweller is the enhanced sense of detachment from attention-seeking, loyalty-demanding “centres of power” – be they based in Brussels, London, Edinburgh, or even Stornoway. I may or may not agree that the various responsibilities the big towns claim for themselves are fairly distributed. The point is that, even if I do, I clearly don’t need to “identify” myself exclusively with the polity or jurisdiction over which each one exercises its “authority”. That’s fundamentally not sensible, in my view. The real world is mobile and multi-polar. Our loyalties and attention shift and divide – and properly so.

TeampullCrotalThis is not new. Take Gaelic, for example – an important part of my current cultural make-up (as I’ve mentioned once or twice elsewhere). One of the many highlights of a recent visit from Irish language enthusiasts was seeing how close we could get to Teampull Chaluim Chille in Balivanich (Baile a’ Mhanaich – The Monk’s Town). The name alone evokes a “pan-Gaelic” past that pre-dates notions of “Ireland” and “Scotland” as the separate “nations” we think of today. But history moved on, and while we may still feel the pull of cultural and linguistic affinity as Gaels, there probably aren’t many around today who will profess a loyalty to “Gaeldom” alone, wholly to the exclusion of other cultural constructs – such as “Scotland”, or “Ireland”, or even indeed “Britain”, or “Europe”.

As it turned out, the land around the Teampull is so boggy that most of us didn’t properly complete our mini-pilgrimage, with the noble exception of Mairtín. His perseverance paid off though, as he got some stunning shots there that sit very prettily alongside the rest of his Benbecula album. Surely we can all recognise and acknowledge the beauty to be found here, irrespective of IMG_0786autocorrecthow we each place ourselves “culturally” or “nationally”. We all have the capacity to appreciate others’ work and worth, and that seems to me like a better basis on which to construct healthy relationships, and so reasonable dialogue, than any over-emphasised or falsely attributed “cultural differences” that tend only to solidify as self-fulfilling prophecies. I wish folk would stop disrespecting other people’s integrity or intelligence on the basis of how they divide up their communal identities. It’s disturbing. I may be about to relieve my FB friends list of a few folk (none pictured here) who can’t seem to break out of a vicious-looking circle. Time to set course away from a “virtual Coire Bhreacain” being fed by dodgy-looking ethno-essentialist undercurrents…

(Disclaimer: These are my own musings. None of the gaisgich pictured above should be implicated in any political, constitutional, or other conclusions that readers may wish to draw from them. I think it’s fair to say the consensus was that we had a jolly good time…)

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Stoneybridge Workshop Weekend

The film-making class at the Stoneybridge Workshop Weekend in South Uist made a short film about some of the classes that were being held on the Saturday. In the morning and early afternoon we worked on camera skills, and then got some experience of editing at the end of the day. Many human stars, but the oscar must go to the canine participant who brought a whole new meaning to the concept of an “archaeological dig”… Who said you should never work with animals?

Stoneybridge Workshop Weekend from Gordon Wells on Vimeo.

Technical Postscript (for the nerdish tendency): Using Vimeo rather than YouTube is a new departure for me. There’s a discernible drop-off in video quality in the embedded version, though a direct comparison with the Island Voices YouTube clips would probably not be fair, as the source files for the latter were enormous .avi files, whereas for this clip I used a much smaller .wmv file – conveniently loadable from the comfort of my own home.

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